Articles and interviews
Clay as a living material: Danijela Pivašević-Tenner’s conceptual approach to ceramics and sustainability
By Kristina Rutar I first met Danijela Pivašević-Tenner in 2016 during my Tandem residency in Neumünster, Germany. As I was taking my first steps as a ceramicist, Danijela immediately challenged my understanding of the material. Her work made a lasting...
Decoding Mai-Thu Perret: An Analysis of Art, Identity, and Narrative
By Doug Navarra From the outset, I found Mai-Thu Perret's work in the exhibition titled "Underworld" at the David Kordansky...
Gyeonggi Ceramics Biennale 2024 of Korea: A Global Festival of Contemporary Ceramic Art
From September to October, Gyeonggi Province and the Korea Ceramic Foundation hosted the Gyeonggi Ceramics Biennale 2024, a 45-day event...
The Future of Clay: Many Futures, Many Pasts at The Clay Studio, Philadelphia
By Jennifer Zwilling Clay is the future and the past. The earliest examples of fired ceramic objects are 25,000 years...
Cuts, Stripes and Knots. A retrospective presentation of Martin Bodilsen Kaldahl
By Christina Rauh Oxbøll Throughout Autumn and Winter 2024/25, CLAY Museum of Ceramic Art Denmark presents 'Martin Bodilsen Kaldahl: Cuts,...
