Articles and interviews
At Rest
By Aleina Grace Edwards When I was small, I was scared of bodies—real, human ones, with their weak skins and wet entrails. I feared deadly diseases born by mosquitos that bit me in the summers; I feared the snapping of...
Ceramics, Sensitive Bodies (Céramiques, corps sensibles)
By Elodie Antoine To mark its reopening, the MADDThe Musée des Arts décoratifs de Bordeaux has undergone a restoration campaign...
Twenty-Eight Forms of Belonging: The 6th Officine Saffi Award
By Katherina Perlongo What does it mean to belong? To a place, a community, a culture – or to a...
Edmund de Waal’s rain diary and the afterlife of the vessel
By Anisio Veloso Photographs can make Edmund de Waal’s nine tiered white structure appear almost weightless, a pale field of...
Roxanne Jackson: Ovum at The Pit, Los Angeles
By Sarah Walko Roxanne Jackson’s ceramic sculptures and installations are created as singular forms, some composed of multiple parts, yet...
