Lisa Creskey, Illuminated, 2016, porcelain sculpture and matches, 10 x 37 x 20 cm Lisa Creskey, Figures 2-3, Visages 2-3 and Sur la Lievre – Georges Bothwell steamboat Lisa Creskey, Le Match, 2016, porcelain, 20 x 30 x 25 cm Lisa Creskey, On the Lievre – Georges Bothwell, 2016, porcelain sculpture, 30 x 45 x 15 cm Lisa Creskey, On the Water, 2016, porcelain sculpture, 8 x 33 x 15 cm Lisa Creskey, Falling Down-Getting Up, 2016, porcelain sculpture, 15 x 30 x 25 cm
Lisa Creskey: Match exhibition, 2016
Match, 2016 – Solo public exhibition at Gallery Art-Image in Gatineau, Québec, Canada
Awarded the 2017 Prix du CALQ – Œuvre de l’année en Outaouais – Work of the Year in the Outaouais (Conseil des arts et des lettres du Québec)
This exhibition focused on the town of Buckingham, where the artist lived in her youth, to explore the subject of industry, labour, and natural resources. In our current fluctuating climate of labour and environmental issues, this exhibition sought to give attention to details and experiences from the regions post-colonial industrial history and to bring this experience into the realm of the imagination. In a surrealist installation of porcelain and wood, the exhibition drew on imagery of the natural world and archival documents to explore how economic forces influence culture and society.
Sculptural works – earthenware & porcelain, hand built, carved, underglaze painted, glazed – various dimensions
Wooden structures – wood burned, paint, varnish – 2m x 2m x 1m
Complete photo captions:
Lisa Creskey, Figures 1-4 with sculptures, 2016, wood and porcelain, Figure 1 – 2 x 1.5 x 1.5 m, Figure 4 – 1.5 x 1 x1 m, Visages 1-4 – 45 x 30 x 30 cm, Allumer – 10 x 37 x 20 cm, the Match – 20 x 30 x 25 cm
Lisa Creskey, Figures 2-3, Visages 2-3 and Sur la Lievre – Georges Bothwell steamboat, 2016, Figures 2 x 1.5 x 1.5 m, Visages 45 x 30 x 30 cm, Sur la Lievre 30 x 45 x 15 cm
Photos courtesy of the artist