• About us
  • Magazine
  • Submissions
  • Advertise
  • Contact
Friday, May 9, 2025
No Result
View All Result
Ceramics Now
Subscribe now
  • News
  • Artist profiles
  • Articles
  • Exhibitions
  • Ceramic art
  • Interviews
  • Resources
    • Ceramics Now Weekly
    • 2025 Ceramics Calendar
    • Ceramics job board
    • Pottery classes
Ceramics Now
  • News
  • Artist profiles
  • Articles
  • Exhibitions
  • Ceramic art
  • Interviews
  • Resources
    • Ceramics Now Weekly
    • 2025 Ceramics Calendar
    • Ceramics job board
    • Pottery classes
No Result
View All Result
Ceramics Now
Home Archive

Anne Tophøj and Marianne Nielsen: Elitist Folklore / Copenhagen Ceramics

October 27, 2012
in Archive, Exhibitions
Anne Tophøj and Marianne Nielsen: Elitist Folklore / Copenhagen Ceramics

Anne Tophøj and Marianne Nielsen: Elitist Folklore exhibition Copenhagen Ceramics

Anne Tophøj and Marianne Nielsen: Elitist Folklore / Copenhagen Ceramics
October 25 – November 17, 2012

Artist talk: Saturday, October 27, at 2 pm.

The dish, the plate, the table and the flower. These common everyday objects and the most beloved iconic shapes from nature are framing in the lives of most people. For their shared exhibition at Copenhagen Ceramics Marianne Nielsen and Anne Tophøj are investigating why and how we value these universal expressions of culture and nature. But what is elitist folklore? What does it look like from their point of view?

Marianne Nielsen occupies a very special position in Danish Ceramics. She takes interest, in an almost nerdy way, in the role of nature in our culture. In recent years her work often has concluded in definite renderings of natural subjects: mountains, feathers, leaves and now flowers and plants. As a kind of souvenir they refer to something beyond ourselves, being continuous, universal and something which, through its authenticity, contains an essential beauty. Yet, the representations of nature are about ourselves, since they only acquire their meaning through our very own gaze.

Marianne Nielsen articulates this: ’Flowers hold a modest position in the arts as something banal, soft, often assigned the subordinate part. For these pieces I have let the flower be on its own, allowing it to make up the entire work. The works are about what is not directly present – the references linked to flowers, both as representatives of beauty and natural souvenirs. But they also deal with that particular application that has worn down the flower-motif and turned it into a cliché.’

In a similar way Anne Tophøj is working with the values and inherent meanings of things. Either because the artifacts contain specific images or symbols that pass on a story or message, or by suggesting a particular use or way of handling.

Characteristic of her work she investigates the dish and the plate, objects that we are all very familiar with and make daily use of. As she herself puts it: “The plate and the dish are signs of human culture and how we raise ourselves above the animals; they are pivotal in all eating rituals and our daily meals. Artefacts that we all have in common – universal, banal, indispensable tools helping us to sustain life. They are beloved and treasured objects that different cultures and times have shaped endlessly for use and for ornamentation, for the table and for the wall.”

For this show Anne Tophøj has worked with two types of objects: the dishes, where she uses the surface for primitive and simplified pictorial representations of life and death. She circles about the face and the skull as a common human symbol. In parallel to this she investigates the plate that, as any tool, signals a specific use – the shape being determined by its presumed content. When you look at her works in the exhibition you have to ask yourself: what are they for? Who will be using them and how? What will be eaten off them and how do you do that? The answer is in the plate.

Both ceramists have exhibited widely in galleries and museums in Denmark and abroad. Their works have been acquired for public and private collections.

Works by Anne Tophøj are in the collections of The National Museum, Stockholm; Designmuseum Danmark; Trapholt Museum of Art, DK, and she has received the three-year-working grant of the Danish Arts Council. In addition to her personal practice she is teaching part-time at School of Design at the Royal Danish Academy of Art.

Marianne Nielsen has exhibited at The Biennial of Crafts and Design, DK, Design museum Danmark, Ceramics Museum Grimmerhus and many more. She received the Annie and Otto Detlefs Travel Grant in 2011, Ole Haslund Fund, the-three- year working grant of the Danish Arts Council and is represented in its collection. Marianne Nielsen works also as free-lance designer for Kähler Design.

Gallery Hours: Wednesday — Friday: 1–6 pm, Saturday: 12 am – 4 pm.

CONTACT
Martin Bodilsen Kaldahl
martin@copenhagenceramics.com
Tel: +45 2728 5452

Copenhagen Ceramics
Smallegade 46, 2. sal tv
2000 Frederiksberg
Copenhagen
Denmark
www.copenhagenceramics.com

Above: Anne Tophøj, Fictile 12.3. dish 3, 2012. / Marianne Nielsen, ‘Cowberry’ and ‘Marsh Marigold’, 2012. Photo by Jeppe Gudmundsen-Holmgreen.

More exhibitions »

Tags: Anne TophojArtCeramicsContemporary artContemporary ceramicsCopenhagen CeramicsDanish artDanish ceramicsDanish contemporary ceramicsdishExhibitionsflowerMarianne NielsenNatureNewsplate

Related Posts

Katie Spragg at Ruup & Form
Exhibitions

Katie Spragg: The Fragmented Landscape at Ruup & Form, London

May 9, 2025
Sean Gerstley ceramics
Exhibitions

Sean Gerstley: Free Play at Superhouse, New York

May 5, 2025
Karin Gulbran ceramics
Exhibitions

Karin Gulbran: The Pink Pepper Tree at Parker Gallery, Los Angeles

April 30, 2025
Bente Skjøttgaard ceramics
Exhibitions

Bente Skjøttgaard: Nature and Glaze at CLAY Museum of Ceramic Art Denmark

April 22, 2025

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *







Latest Artist Profiles

Alice Shields ceramic artist
Artists

Alice Shields

April 28, 2025
Yuriy Musatov ceramics
Artists

Yuriy Musatov

April 23, 2025
Philsoo Heo ceramics
Artists

Philsoo Heo

April 15, 2025
Hanna Miadzvedzeva ceramic artist
Artists

Hanna Miadzvedzeva

April 11, 2025

Latest Articles

Anne Laure Cano and Jim Gladwin
Interviews

Translate: L’Ofici Ceramista – Two artists, a defunct factory, a museum and an archive

by Ceramics Now
May 8, 2025
The Whole World In Our Hands
Articles

The Whole World In Our Hands at The Stephen Lawrence Gallery

by Ceramics Now
May 6, 2025
Tontouristen Kollectiv
Articles

Tontouristen Kollektiv: What can be found in the gap between the different clay narratives?

by Ceramics Now
April 28, 2025
Sharif Farrag ceramics
Articles

Sharif Farrag: Hybrid Moments at Jeffrey Deitch

by Ceramics Now
April 16, 2025
Instagram Facebook LinkedIn
Ceramics Now

Ceramics Now is a leading independent art publication specialized in contemporary ceramics. Since 2010, we promote and document contemporary ceramic art and empower artists working with ceramics.

Pages

  • About us
  • Magazine
  • Submissions
  • Advertise
  • Contact

Subscribe to Ceramics Now Magazine

Join a vibrant community of over 21,000 readers and gain access to in-depth articles, essays, reviews, exclusive news, and critical reflections on contemporary ceramics.

SUBSCRIBE TODAY

© 2010-2025 Ceramics Now - Inspiring the next generation of ceramic artists.

  • Subscribe to Ceramics Now
  • News
  • Artist profiles
  • Articles
  • Exhibitions
  • Ceramic art
  • Interviews
  • Resources
    • Ceramics Now Weekly
    • Ceramics Calendar 2025
    • Ceramics job board
    • Pottery classes
  • About us
    • Ceramics Now Magazine
    • Submissions
    • Advertise with Ceramics Now
  • Contact
No Result
View All Result

© 2010-2025 Ceramics Now - Inspiring the next generation of ceramic artists.