Takuro Kuwata at Salon 94: Playful, Provocative, and Unapologetic

By Cammi Climaco While Iโ€™ve followed Takuro Kuwata on Instagram for the past seven years, Iโ€™ve only seen his work floating by on a glowing two-inch by two-inch screen. Seeing his show Together Shiyoze! (Letโ€™s Get Together!) at Salon 94, through February 15th, was a bit of a parasocial experience. I was confidently familiar with Kuwataโ€™s work, so much so,...

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New dimensions in Contemporary Ceramics: A look at Ceramic Brussels 2025

By Andrea Mรผller-Fincker The second edition of the international art fair for contemporary ceramics took place at Tour&Taxis in Brussels from January 22nd to 26th, 2025. The Gare Maritime area, which represents an extraordinary combination of historic industrial architecture from the beginning of the 20th century, offered a unique exhibition experience in the heart of Europe. As the only art...

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Finding a South African voice: The first South African Clay Awards

By Ann Marais The first South African Clay Awards exhibition, held at Rust-en-Vrede Gallery and Clay Museum in Durbanville, outside Cape Town, from November to December 2024, marked a significant milestone for South African ceramics. It followed the gallery's accreditation as an affiliate member of the International Academy of Ceramics (IAC). The IAC formally endorsed the exhibition with this accreditation,...

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Ceramics Now announces a new Call for Papers

Ceramics Now announces a new Call for Papers In honoring our commitment to showing the evolving trends and concepts that shape contemporary ceramics, Ceramics Now is pleased to announce a new call for papers. We invite thought-provoking essays, comprehensive exhibition reviews, and features that address significant movements or major events in the field. We particularly encourage essays that examine current...

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Decoding Mai-Thu Perret: An Analysis of Art, Identity, and Narrative

By Doug Navarra From the outset, I found Mai-Thu Perret's work in the exhibition titled "Underworld" at the David Kordansky Gallery in NYC to be deeply challenging, which immediately drew me to it. This challenge arises from multiple factors: the work is interdisciplinary and conceptual, departing from traditional notions of ceramics while also offering a fluidity of meaning that invites...

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Gyeonggi Ceramics Biennale 2024 of Korea: A Global Festival of Contemporary Ceramic Art

From September to October, Gyeonggi Province and the Korea Ceramic Foundation hosted the Gyeonggi Ceramics Biennale 2024, a 45-day event held across multiple venues throughout Gyeonggi-do focusing on Icheon, Yeoju, and Gwangju in Gyeonggi Province. The Biennale featured a diverse array of programs, including exhibitions, academic conferences, and museum concerts. A distinctive aspect of this yearโ€™s Gyeonggi Ceramics Biennale was...

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Cuts, Stripes and Knots. A retrospective presentation of Martin Bodilsen Kaldahl

By Christina Rauh Oxbรธll Throughout Autumn and Winter 2024/25, CLAY Museum of Ceramic Art Denmark presents 'Martin Bodilsen Kaldahl: Cuts, Stripes, and Knots โ€“ A Ceramic Retrospective'. The exhibition offers a generous view of Kaldahl's persistent exploration of the sculptural potential of ceramics over more than three decades, complemented by several new pieces made for the exhibition. These recent works...

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Avant-Garde Clay: Sลdeisha and Their Legacy in Contemporary Japanese Ceramics

By Daria Melnikova In early September 2023, basking in the cool shade of a terrace in Gojลzaka, near Kiyomizu Temple in Kyoto, I treated myself to a lacquer box of sake ice cream, a much-needed break after visiting the retrospective show โ€œThe Sลdeisha Group: An Era Born Out of Avant-garde Ceramicsโ€ at The National Museum of Modern Art, Kyoto. After...

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Angus Suttie: Pots of Pride. An interview with Jeffrey Weeks

By Millen Brown-Ewens More than thirty years after his untimely passing, Angus Suttie and his ceramics refuse categorisation. For the UK pottery establishment, his evocative and celebratory works represent humanism, boldness, and freedom, reflecting not only the nuances of his lived experience but also a vital and unique form of activism that chimes with contemporary resonance. A new retrospective at...

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Simone Leighโ€™s Sublime Survey Reaches Los Angeles

By Aleina Edwards As a multimedia artist predominantly focused on ceramics, Simone Leigh is very concerned with her materialโ€”its essence and associations, its myriad histories. In the past two decades, Leigh has made a name for herself by rendering figures in clay, using racially-charged images like face jugs, cowrie shells, and stylized busts to reclaim and reconstitute the Black femme...

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Hidden Stone โ€“ Excavating the Materiality of Titanium White

Discover the story of titanium dioxide (TiO2) in Dr. Marte Johnslienโ€™s article, exploring how the worldโ€™s most-used white pigment shapes our world while profoundly impacting the environment. Through ceramics and glaze, her research group critically engages with TiO2โ€™s environmental implications, connecting its mineral origins to broader societal and ecological questions, and highlighting the artistic journey of using materials from mining...

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Expanded Ceramics / Holocene Agriculture: Recent Performance and Site Proposals

By John Roloff The project and related concepts presented in Expanded Ceramics/Holocene Agriculture are an extension of over 50 years of work in ceramics that view the materials and processes of ceramics in a geologic and environmental context. Originating from my studies under Robert Arneson and Eldridge Moores as an art/geology major at UC Davis in the late 1960โ€™s, the...

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A Journey Through (un)Known Territories: The 5th Officine Saffi Award

By Katherina Perlongo (un)Known Territories is the title of the exhibition that, from May 29 to July 31, presented ceramic works by 32 finalists of the fifth edition of the Officine Saffi Award in the foundation's new headquarters located in Via Niccolini 35a, in the middle of the vibrant Sarpi-Chinatown district of Milan. The exhibition and the associated prize, which...

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Sculpting the Darkness Within

By Doug Navarra Many years ago, having just discovered the potterโ€™s wheel, my high school woodshop teacher saw my interest. He himself, a wood sculptor, invited me to see an exhibition of Toshiko Takaezu at our hometown Heckscher Museum in Huntington, NY. The year was 1971; I would have been either 15 or 16 years old and only been on...

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Debra Sloanโ€™s Les Grandes Dames: A Review and Conversation

Part I. Review of Debra Sloan: Les Grandes DamesPart II. Interview with Debra Sloan By Amy Gogarty Vancouver artist Debra Sloan is best known for her ceramic sculptures of animals and infants, which exude personality and often humour. Her babies, in particular, bely uncritical sentimentality in their frank displays of frustration, anger, and resistance. With her latest exhibition at the...

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Clay 3D Printing โ€“ A Potterโ€™s Perspective

By Hendrien Horn As clay 3D printing has started to become popular amongst some potters, it has become a topic of debate, which can, at times cause some opposing opinions. Furthermore, I think that once an artistic process is better understood, the doors for a healthy conversation can open. As a potter who has worked with both โ€œtraditionalโ€ and โ€œtechnologicalโ€...

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Of Anatomy and Corruption: Carlos Enrique Pradoโ€™s Stubborn & Cabeza Dura Series

By Nathan J. Timpano I became acquainted with the science of anatomy, but this was not sufficient; I must also observe the natural decay and corruption of the human body.Mary Shelley, Frankenstein (1818) When encountering sculptural works in Carlos Enrique Pradoโ€™s two newest series, Stubborn: The Way of Sorrows and Cabeza Dura (โ€œHardheadedโ€ in English), one might be reminded of...

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