• About us
  • Magazine
  • Submissions
  • Advertise
  • Contact
Friday, May 9, 2025
No Result
View All Result
Ceramics Now
Subscribe now
  • News
  • Artist profiles
  • Articles
  • Exhibitions
  • Ceramic art
  • Interviews
  • Resources
    • Ceramics Now Weekly
    • 2025 Ceramics Calendar
    • Ceramics job board
    • Pottery classes
Ceramics Now
  • News
  • Artist profiles
  • Articles
  • Exhibitions
  • Ceramic art
  • Interviews
  • Resources
    • Ceramics Now Weekly
    • 2025 Ceramics Calendar
    • Ceramics job board
    • Pottery classes
No Result
View All Result
Ceramics Now
Home Exhibitions

Anton Alvarez: Tight Squeeze at Huxley-Parlour Gallery, London

Ceramics Now by Ceramics Now
July 29, 2021
in Exhibitions
  • Anton Alvarez: Tight Squeeze at Huxley-Parlour Gallery, London, 2021
  • 0105211932, 2021, Glazed stoneware, 60 1/2 x 5 1/2 x 16 1/2 inches
  • 0105211932, 2021, Glazed stoneware, 23 3/4 x 15 3/4 x 14 1/2 inches
  • 505211818, 2021, Coloured porcelain, 18 3/4 x 10 3/4 x 11 inches
  • 1205211514, 2021, Coloured porcelain, 18 1/2 x 11 x 10 1/4 inches
  • 1205211514, 2021, Coloured porcelain, 18 3/4 x 10 1/2 x 9 3/4 inches
  • 1504211739, 2021, Glazed stoneware, 30 3/4 x 15 x 17 inches

Anton Alvarez: Tight Squeeze is on view at Huxley-Parlour Gallery, London

July 15 – September 11, 2021

Huxley-Parlour presents an exhibition by Swedish-Chilean artist, Anton Alvarez. The first floor of the gallery is taken over by eleven heavily textured and coloured ceramic towers. Tight Squeeze showcases Alvarez’ largest and most complex fired ceramics yet.

Alvarez’ machinery is at the centre of his practice, operating in a symbiotic relationship with the sculptures they produce. Each of the ceramics are created by a custom machine built by the artist himself, which extrudes clay through tailored moulds under heavy pressure. The squeezed clay drops onto a platform, which can be adjusted in height to create stretched sculptures of different lengths. Here, the alethic factors of chance and variation dictate the outcome of Alarez’ work, placing him in the artistic milieu of makers like Max Ernst, Andre Masson, and the fluxus artists. Alvarez’ sculptures are then glazed, petrified in the shape they have fallen into. Hence, Alvarez’ practice raises questions about the boundaries between mechanical production and craftsmanship.

Alvarez likens his sculptures to alien, organic lifeforms that appear to grow by themselves. Placed on top of plinths, Alvarez’ ceramics take on an anthropomorphic agency; their height subverts a typical subject – object relationship, as viewers feel the sculptures watch them, instead of the other way round. At this scale, Alvarez’ works broach the realm of architecture.

Anton Alvarez (b. 1980) studied at the Royal College of Art, in London, going on to exhibit internationally across Europe and the US. His work has been exhibited widely, including at Salon 94 in New York, and at Larsen Warner, Stockholm. Alvarez’ work is included in multiple prominent private collections, alongside the public collections of the Nationalmuseum, Stockholm, Sweden, the Denver Art Museum, Colorado, USA, and the Rohsska Museum, Gothenburg. He lives and works in Sweden.

Contact
0207 434 4319
gallery@huxleyparlour.com

Huxley-Parlour Gallery
3-5 Swallow Street
London W1B 4DE

Images courtesy Huxley-Parlour Gallery

Tags: Anton AlvarezHuxley-Parlour GalleryLondon
Previous Post

The week’s news in the ceramic world – July 26, 2021

Next Post

Lauren Herzak-Bauman: Amor Fati, 2018

Related Posts

Katie Spragg at Ruup & Form
Exhibitions

Katie Spragg: The Fragmented Landscape at Ruup & Form, London

May 9, 2025
Sean Gerstley ceramics
Exhibitions

Sean Gerstley: Free Play at Superhouse, New York

May 5, 2025
Karin Gulbran ceramics
Exhibitions

Karin Gulbran: The Pink Pepper Tree at Parker Gallery, Los Angeles

April 30, 2025
Bente Skjøttgaard ceramics
Exhibitions

Bente Skjøttgaard: Nature and Glaze at CLAY Museum of Ceramic Art Denmark

April 22, 2025
Next Post
Lauren Herzak-Bauman Ceramics

Lauren Herzak-Bauman: Amor Fati, 2018

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *







Latest Artist Profiles

Alice Shields ceramic artist
Artists

Alice Shields

April 28, 2025
Yuriy Musatov ceramics
Artists

Yuriy Musatov

April 23, 2025
Philsoo Heo ceramics
Artists

Philsoo Heo

April 15, 2025
Hanna Miadzvedzeva ceramic artist
Artists

Hanna Miadzvedzeva

April 11, 2025

Latest Articles

Anne Laure Cano and Jim Gladwin
Interviews

Translate: L’Ofici Ceramista – Two artists, a defunct factory, a museum and an archive

by Ceramics Now
May 8, 2025
The Whole World In Our Hands
Articles

The Whole World In Our Hands at The Stephen Lawrence Gallery

by Ceramics Now
May 6, 2025
Tontouristen Kollectiv
Articles

Tontouristen Kollektiv: What can be found in the gap between the different clay narratives?

by Ceramics Now
April 28, 2025
Sharif Farrag ceramics
Articles

Sharif Farrag: Hybrid Moments at Jeffrey Deitch

by Ceramics Now
April 16, 2025
Instagram Facebook LinkedIn
Ceramics Now

Ceramics Now is a leading independent art publication specialized in contemporary ceramics. Since 2010, we promote and document contemporary ceramic art and empower artists working with ceramics.

Pages

  • About us
  • Magazine
  • Submissions
  • Advertise
  • Contact

Subscribe to Ceramics Now Magazine

Join a vibrant community of over 21,000 readers and gain access to in-depth articles, essays, reviews, exclusive news, and critical reflections on contemporary ceramics.

SUBSCRIBE TODAY

© 2010-2025 Ceramics Now - Inspiring the next generation of ceramic artists.

  • Subscribe to Ceramics Now
  • News
  • Artist profiles
  • Articles
  • Exhibitions
  • Ceramic art
  • Interviews
  • Resources
    • Ceramics Now Weekly
    • Ceramics Calendar 2025
    • Ceramics job board
    • Pottery classes
  • About us
    • Ceramics Now Magazine
    • Submissions
    • Advertise with Ceramics Now
  • Contact
No Result
View All Result

© 2010-2025 Ceramics Now - Inspiring the next generation of ceramic artists.